As it rises in Europe realistic opposition to this discourse, logically it should be continued in America. Thus, criollismo and naturalism, as Venezuelan nativist poetry, are forms of expression of the new European wave. We agregariamos the indigenista concern, unfortunately analyzed from two angles contradictory and irreconcilable, given the presence of the class struggle, in the flat aesthetic. On this aspect, the leading Venezuelan researcher, Professor Italo Tedesco (2004: 130), tells us the following: sociological positions converge in the narrative indigenista. Alienation as subjection of man to the iracional is documented with the factors that cause it: religion, capital and labour. Together with the priests and landowners, the Justice of the peace, the Governor or the sub-prefect, are the power which acts on the community, seen as personaje-masa and on their individualities. The foolish Trinity referred to by Gonzalez Prada not only contributed with the complaint. It outlined a narrative syntax works irreversibly as an obstacle to the Aboriginal andanza.
Since the conquest, religion was used as a weapon of domination. It replaced and created myths. With the same discourse of Gomara and generating praxis of divine fears reaching collective dread, the priest is a constant in the indigenista novel. Subsequently, appears magical realism as overcoming of earlier demonstrations. It wants to show the unreal and strange as something that belongs to everyday life. It also has a respectful attitude towards myths and other beliefs of Americans or pre-Columbian peoples.
Magic comes to constitute a form of knowledge in the world. Like you have to dominate the forces of nature to achieve the happiness human, which has been a constant that will not disappear in the time continuum and as man has lost the animality that characterized him, appears the magician as effective entity. With the magic nature dominate. Once twice as sympathetic, where like attracts like. Others, in its form by contamination or approach, where the union of objects makes that properties can be transferred to other beings.
Since the conquest, religion was used as a weapon of domination. It replaced and created myths. With the same discourse of Gomara and generating praxis of divine fears reaching collective dread, the priest is a constant in the indigenista novel. Subsequently, appears magical realism as overcoming of earlier demonstrations. It wants to show the unreal and strange as something that belongs to everyday life. It also has a respectful attitude towards myths and other beliefs of Americans or pre-Columbian peoples.
Magic comes to constitute a form of knowledge in the world. Like you have to dominate the forces of nature to achieve the happiness human, which has been a constant that will not disappear in the time continuum and as man has lost the animality that characterized him, appears the magician as effective entity. With the magic nature dominate. Once twice as sympathetic, where like attracts like. Others, in its form by contamination or approach, where the union of objects makes that properties can be transferred to other beings.